Wado Kata and Kumite
Explanations and Videos
Kata are predefined, specific patterns of movement that incorporate and encapsulate martial techniques, concepts, and applications. The exact movements of a kata often vary from one organization to another, and even from one school to another within the same organization. The variations can range from gross deviations apparent to the untrained observer to very subtle minutiae. In his 1977 book on Wadō-ryū (published in English in 1997), Ōtsuka Sensei declared only nine official kata for Wadō-ryū: Pinan Shodan, Pinan Nidan, Pinan Sandan, Pinan Yondan, Pinan Godan, Kūsankū, Naihanchi, Chintō, and Seishan. Within his text, Ōtsuka Sensei provides detailed notes on the performance of these kata, which has resulted in less deviation across organizations on their performance. However, Ōtsuka Sensei did teach other kata. Perhaps because Ōtsuka Sensei did not provide specific notes for the performance of these other kata in his text, there is greater variation in these other kata across organizations and schools.
- Pinan kata: created by Ankō Itosu, and consisting of Pinan Shodan (平安初段), Pinan Nidan (平安二段), Pinan Sandan (平安三段), Pinan Yodan (平安四段), and Pinan Godan (平安五段).
- Kusanku: “Sky Viewing”. Kūsankū was the Okinawan name for Kwang Shang Fu, a Sapposhi (emissary of China’s ruling class) sent to Okinawa in the 18th century. This kata uses stances and attacks comprising of the five previous Pinan kata.
- Naihanchi (内畔戦; also known as Naifanchi): this was the original name for the three Tekki kata, but was changed by Funakoshi. This is a lateral kata learned from Chōki Motobu. Wadō-ryū practices only the first Naihanchi kata.
- Seishan: the name means “13 hands.” This kata was named after a well-known Chinese martial artist who lived in or near Shuri c. 1700. The movements are repeated in sets of three, and has pivots and turning of the head.
- Bassai (披塞; also known as Passai): a Tomari-te kata that uses dynamic stances and hip rotation.
- Chintō: formulated by Matsumura Sōkon from the teachings of a sailor or pirate named Chintō (or Annan, depending on the source). Crane stance occurs many times, and the flying kicks differentiate Chintō from other kata.
- Rōhai: Rōhai has three variation invented by Itosu. Wadō-ryū practices Rōhai Shodan.
- Niseishi (二十四步): the name means “24 steps.” Transmitted by Ankichi Aragaki, this kata is known in Japanese as Nijūshiho.
- Wanshu: the name means “flying swallow.” This is a Tomari-te kata based on movements brought to Okinawa in 1683 by a Chinese envoy of the same name. The metaphorical name, “Flying Swallows,” comes from the soft blocking sequences near the end of this kata.
- Jion : A Tomari-te kata; part of the Jion kata group.
- Jitte : another Tomari-te kata of the Jion kata group; the name means “10 hands.”
In addition to the solo kata listed above, many Wadō-ryū schools also practice paired kata, which reflects its jujutsu heritage. These paired kata are performed by two people (one as the attacker and one as the defender), demonstrating a range of self-defense techniques. The paired kata of Wadō-ryū often vary from one organization from another, because Ōtsuka did not standardize them. The paired kata are:
- Yakusoku Kihon Kumite: consists of 10 fundamental techniques of attack against combination attacks (combinations of kicks and punches), influenced by jujutsu body movements.
- Kumite Gata: consists of 10 – 24 varietal techniques (depending on the organization) of attack emphasizing Katamae (pinning) and Kuzushi (breaking balance) and multiple strikes.
- Ohyo Kumite: consists of various techniques of attack, incorporating Karate blocks, kicks and strikes with jujutsu throws and body movements. This is a specialty of Tatsuo Suzuki Hanshi’s W.I.K.F organization.
- Idori no Kata: consists of 5–10 techniques (depending on the organization) of seated self-defense, influenced by jujutsu throwing and joint-locking techniques.
- Tantodori no Kata: consists of 7–10 techniques (depending on the organization) of defenses against knife attacks, influenced by jujutsu body movements, throwing, and joint-locking techniques.
- Shinken Shirahadori (真剣白刃取り): consists of 5-10 (depending on organization) techniques of defenses against sword attacks, influenced by jujutsu body movements, throwing, and joint-locking techniques.
Kumite (組手) is the sparring aspect of karate and it covers a vast range of activities and practices. Beginners will start by practicing the Kihon Kumite, which can be imagined as choreographed “fights.” The patterns and motions are set, and practitioners will train their speed, accuracy, and timing as if they were in a real sparring match. As a karate student progresses they begin Jiyu Kumite (自由組手) or “free sparring.” These are the matches seen in high level competition between two karate practitioners that are scored. Jiyu Kumite looks more like a real “fight” as there is no set movement, each athlete is trying their best to score points on their opponent.
Kihon (基本, きほん) means “basics” or “fundamentals.” The term is used to refer to the basic techniques that are taught and practiced as the foundation of most martial arts, including Wado Ryu Karate.
The practice and mastery of kihon is essential to all advanced training, and includes the practice of correct body form and breathing, while practicing basics such as stances, punches, kicks, blocks, and thrusts.
Kihon techniques tend to be practiced often, in many cases during each practice session. They are considered fundamental to mastery and improvement of all movements of greater complexity. Kihon in martial arts can be seen as analogous to basic skills in any major sport; for example, football and basketball. Professional basketball players continue to practice dribbling, passing, free throws, jump shots, etc. in an effort to maintain and perfect the more complex skills used during a basketball game.
Kihon Kumite Videos